1.0STOA169https://stoa169.com/en/Susannehttps://stoa169.com/en/author/susanne/rich600338<blockquote class="wp-embedded-content" data-secret="HjTnR0y5vs"><a href="https://stoa169.com/en/stoa/yorgos-sapountzis/">Yorgos Sapountzis</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://stoa169.com/en/stoa/yorgos-sapountzis/embed/#?secret=HjTnR0y5vs" width="600" height="338" title="“Yorgos Sapountzis” — STOA169" data-secret="HjTnR0y5vs" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://stoa169.com/wp-includes/js/wp-embed.min.js </script> * 1976 in Athens, Greecelives in Berlin Yorgos Sapountzis’ multi-media work engages both public and private spaces, often taking as a starting point public monuments and everyday images, objects that represent some aspect of collective and personal memory. At the core of most of his works are sculptural installations using such materials as aluminium sheetshttps://stoa169.com/wp-content/uploads/2023/08/STOA169-Saeulenhalle-Columns-Hall-Polling_1200x630.png1200630