1.0STOA169https://stoa169.com/en/Susannehttps://stoa169.com/en/author/susanne/rich600338<blockquote class="wp-embedded-content" data-secret="gFsanB08RI"><a href="https://stoa169.com/en/stoa/peter-halley/">Peter Halley</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://stoa169.com/en/stoa/peter-halley/embed/#?secret=gFsanB08RI" width="600" height="338" title="“Peter Halley” — STOA169" data-secret="gFsanB08RI" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://stoa169.com/wp-includes/js/wp-embed.min.js </script> * 1953 in New York City, USAlives in New York Peter Halley is an American artist and central figure of the Neo-Conceptualist movement of the 1980s.His paintings employ the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1990s, Halley has also worked extensively with wall-sized digitalhttps://stoa169.com/wp-content/uploads/2023/08/STOA169-Saeulenhalle-Columns-Hall-Polling_1200x630.png1200630